• Back to work on a Monday morning. What do you think these men are discussing? – #NowOnView | This work is featured in Eclipse of the Sun: Art of the Weimar Republic, on view through September 2. – Georg Scholz (1890-1945), Of Things to Come, 1922, oil on board. Neue Galerie New York. – #NeueGalerie #NeueGalerieNY #EclipseOfTheSun #GeorgScholz #Monday #CaptionThis #Mood #FinalChance
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    Back to work on a Monday morning. What do you think these men are discussing? – #NowOnView | This work is featured in Eclipse of the Sun: Art of the Weimar Republic, on view through September 2. – Georg Scholz (1890-1945), Of Things to Come, 1922, oil on board. Neue Galerie New York. – #NeueGalerie #NeueGalerieNY #EclipseOfTheSun #GeorgScholz #Monday #CaptionThis #Mood #FinalChance
  • From The Man Booker International Prize finalist Robert Seethaler comes The Tobacconist, a tender, heartbreaking story about one young man and his friendship with Sigmund Freud during the Nazi occupation of Vienna. Seventeen-year-old Franz Huchel journeys to Vienna to apprentice at a tobacco shop. There he meets Sigmund Freud, a regular customer, and over time the two very different men form a singular friendship. When Franz falls desperately in love with the music-hall dancer Anezka, he seeks advice from the renowned psychoanalyst, who admits that the female sex is as big a mystery to him as it is to Franz.As political and social conditions in Austria dramatically worsen with the Nazis’ arrival in Vienna, Franz, Freud, and Anezka are swept into the maelstrom of events. Each has a big decision to make: to stay or to flee? – This book is available in-store and online at the Neue Galerie's Book Store. – #NeueGalerieNY #NeueGalerie #TheTobacconist #RobertSeethaler #ReadingRecommendation
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    From The Man Booker International Prize finalist Robert Seethaler comes The Tobacconist, a tender, heartbreaking story about one young man and his friendship with Sigmund Freud during the Nazi occupation of Vienna. Seventeen-year-old Franz Huchel journeys to Vienna to apprentice at a tobacco shop. There he meets Sigmund Freud, a regular customer, and over time the two very different men form a singular friendship. When Franz falls desperately in love with the music-hall dancer Anezka, he seeks advice from the renowned psychoanalyst, who admits that the female sex is as big a mystery to him as it is to Franz.As political and social conditions in Austria dramatically worsen with the Nazis’ arrival in Vienna, Franz, Freud, and Anezka are swept into the maelstrom of events. Each has a big decision to make: to stay or to flee? – This book is available in-store and online at the Neue Galerie's Book Store. – #NeueGalerieNY #NeueGalerie #TheTobacconist #RobertSeethaler #ReadingRecommendation
  • Weekend idea! 💡 Get the Connoisseur Pass and enjoy a visit to Neue Galerie New York, The Frick Collection, and the Morgan Library & Museum. The three museums share similar origins: all were founded by private collectors, occupy intimately scaled buildings of national historic prominence, and remain dedicated to maintaining their unique missions. – The Connoisseur Pass, a single $45 ticket that provides one-time admission to these three splendid institutions, is an exceptional limited-time offer, valid through September 1, 2019. See our #InstagramStory highlight or visit www.neuegalerie.org to learn more and purchase a Connoisseur Pass. – #PicturedHere | Did you know the beloved creator of classics such as Where the Wild Things Are had a second career as an opera and ballet stage designer? “Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet” is now on view at the Morgan. – Maurice Sendak (1928-2012), Diorama of Moishe scrim and flower proscenium (Where the Wild Things Are), 1979-1983, watercolor, pen and ink, and graphite pencil on laminated paperboard. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:69, 70, 71. – Maurice Sendak (1928-2012), Study for stage set #10 (Where the Wild Things Are), 1979-1983, watercolor, pen and ink, and graphite pencil on paper. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:52. – Maurice Sendak (1928-2012), Study for Wild Things costume, with notes (Where the Wild Things Are), 1979, watercolor, pen and ink, and graphite pencil on paper. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:19. – #NeueGalerie #NeueGalerieNY #MorganLibrary #FrickCollection #ConnoisseurPass #NYC #Museums #NYCMuseums #MauriceSendak #WhereTheWildThingsAre
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    Weekend idea! 💡 Get the Connoisseur Pass and enjoy a visit to Neue Galerie New York, The Frick Collection, and the Morgan Library & Museum. The three museums share similar origins: all were founded by private collectors, occupy intimately scaled buildings of national historic prominence, and remain dedicated to maintaining their unique missions. – The Connoisseur Pass, a single $45 ticket that provides one-time admission to these three splendid institutions, is an exceptional limited-time offer, valid through September 1, 2019. See our #InstagramStory highlight or visit www.neuegalerie.org to learn more and purchase a Connoisseur Pass. – #PicturedHere | Did you know the beloved creator of classics such as Where the Wild Things Are had a second career as an opera and ballet stage designer? “Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet” is now on view at the Morgan. – Maurice Sendak (1928-2012), Diorama of Moishe scrim and flower proscenium (Where the Wild Things Are), 1979-1983, watercolor, pen and ink, and graphite pencil on laminated paperboard. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:69, 70, 71. – Maurice Sendak (1928-2012), Study for stage set #10 (Where the Wild Things Are), 1979-1983, watercolor, pen and ink, and graphite pencil on paper. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:52. – Maurice Sendak (1928-2012), Study for Wild Things costume, with notes (Where the Wild Things Are), 1979, watercolor, pen and ink, and graphite pencil on paper. © The Maurice Sendak Foundation. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013.103:19. – #NeueGalerie #NeueGalerieNY #MorganLibrary #FrickCollection #ConnoisseurPass #NYC #Museums #NYCMuseums #MauriceSendak #WhereTheWildThingsAre
  • George Grosz’s mordant, topsy-turvy “Eclipse of the Sun,” painted in 1926 [...] caricatures the Weimar establishment as a rat’s nest of corruption, lorded over by a corpulent, clown-faced President Paul von Hindenburg in screamingly gaudy militaria. He’s heeding the demands of a top-hatted capitalist who susurrates in his ear, while a dopey donkey, its blinders emblazoned with the Weimar eagle, grazes atop the baize table next to Hindenburg’s bloody bayonet. Grosz paints this scene from above, as steeply raked as a theater stage, but this is no cabaret amusement. Behind them a city burns to the ground, while a barely discernible prisoner languishes in one shadowy corner. –The New York Times, Beat the Heat With These 10 Must-See Art Shows. – #NowOnView | Just a few days remain to see Eclipse of the Sun: Art of the Weimar Republic, which is on view at Neue Galerie New York through September 2. – George Grosz (1893-1959), Eclipse of the Sun, 1926, oil on canvas. The Heckscher Museum of Art, Huntington, N.Y.. © 2019 Estate of George Grosz / Licensed by VAGA at Artists Rights Society (ARS), NY 👉 Swipe to see more details and the full painting. – #NeueGalerie #NeueGalerieNY #EclipseOfTheSun #GeorgeGrosz #NYT #NewYorkTimes
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    George Grosz’s mordant, topsy-turvy “Eclipse of the Sun,” painted in 1926 [...] caricatures the Weimar establishment as a rat’s nest of corruption, lorded over by a corpulent, clown-faced President Paul von Hindenburg in screamingly gaudy militaria. He’s heeding the demands of a top-hatted capitalist who susurrates in his ear, while a dopey donkey, its blinders emblazoned with the Weimar eagle, grazes atop the baize table next to Hindenburg’s bloody bayonet. Grosz paints this scene from above, as steeply raked as a theater stage, but this is no cabaret amusement. Behind them a city burns to the ground, while a barely discernible prisoner languishes in one shadowy corner. –The New York Times, Beat the Heat With These 10 Must-See Art Shows. – #NowOnView | Just a few days remain to see Eclipse of the Sun: Art of the Weimar Republic, which is on view at Neue Galerie New York through September 2. – George Grosz (1893-1959), Eclipse of the Sun, 1926, oil on canvas. The Heckscher Museum of Art, Huntington, N.Y.. © 2019 Estate of George Grosz / Licensed by VAGA at Artists Rights Society (ARS), NY 👉 Swipe to see more details and the full painting. – #NeueGalerie #NeueGalerieNY #EclipseOfTheSun #GeorgeGrosz #NYT #NewYorkTimes
  • Keep cool. You'll spot us in Central Park wearing kaftans in Josef Hoffmann's 1910 Adler pattern. – See our #InstagramStories to shop the items shown here. – #NeueGalerie #NeueGaleireNY #NeueDesign #RetailTherapy #JosefHoffmann
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    Keep cool. You'll spot us in Central Park wearing kaftans in Josef Hoffmann's 1910 Adler pattern. – See our #InstagramStories to shop the items shown here. – #NeueGalerie #NeueGaleireNY #NeueDesign #RetailTherapy #JosefHoffmann