Último fin de semana para visitar "Sa la na, a yuum, iasis. Laissez faire, laissez passer" de Biquini Wax EPS en Siembra 9. Viernes y sábado: 11 am - 4 pm #Siembra #kurimanzutto @biquiniwax_tv 
#takeover by @salonsilicon Havi (CDMX,1994) @laguapiss In the words of the artist herself: “For me... money or the camera, like this, makes me wet. These images were not recorded by me, so I did not generate an image of myself doing this work. These videos are the first time that I perceive myself from the outside doing my work and according to what I saw... I don't do it wrong. I think, I perceive, that they are not what "normally" would be considered something "worthy of being paid" to people who ignore how sex work works. Ten minutes of watching someone jerk off may not even be enjoyable for you, but you didn't pay me. Write me and we'll talk. " Currently showing in #SEXwork at @kurimanzutto 
#takeover by @salonsilicon Mauricio Muñoz @mauricioyael (Tijuana, 1993) Stars Are Blinded, 2020 Miss World Falling at the 1995 MTV VMA’s, 2020 De la serie Los nuevos mártires This series portrays pop singers and reality TV stars in tears and embarrassment in front of the camera of the paparazzi. The works, monstrous in character with pasty outlines and viscous texture, frame these celebrities in a grotesque and deformed universe, thus denoting the characteristics on which celebrity culture has been built. Currently showing in #SEXwork on the context of #siembra at @kurimanzutto 
HOY HOY HOY Estaremos platicando con @josesparza sobre SEXO modera @romeogomezlopez junto con: @laguapiss @__karlafrias @laos__land @mauricioyael en fb live de @kurimanzutto 
#takeover by @salonsilicon Sofía Hinojosa @so.f.h (CDMX, 1992) Sonría, sea amable, 2020 Fotografías y frases enmarcadas, vaciados en yeso. Framed photographs and phrases, plaster casts. “Sonría, sea amable” comes about from reflecting about some feminized jobs, especially customer service, that require smiling as if it were part of the uniform. Sofía paralyzed her smile to make plaster casts. A doctor specializing in aesthetic medicine injected her own blood to achieve the paralyzed smile. To smile effortlessly. Two molds were taken (one from before, the other after). In the photos the pain is more evident than the smile. The smile lies in the texts. 
#takeover by @salonsilicon Karla Frías (CDMX 1994) in #SEXwork as part of #SIEMBRA “-NOT soft putx- is dedicated to the experience of those of us who do virtual and physical sex work, taking the two- dimensional platforms such as webcam streams to the three-dimensional of the embroidery superimposed on the painting.” Sex work is work. KF 
#takeover by @salonsilicon Laos Salazar @laos__land (CDMX, 1989) Autorretrato como cerdo (Policía Federal), 2020. Laos Salazar explores from his own experience as a cisgender man the creation of hegemonic masculinity within homosexual culture as well as the way in which desire is articulated and constructed. One of Laos' interests is to work with the figure of the policeman, and their involvement in the erotic imaginary within the gay community: from pornography, erotic stories and real experiences, the policeman is present as a sexed figure. For this specific work, Laos hired a gay policeman (who is also an escort) and asked him to wear his uniform to take a series of photographs. In this way, he transfers the authoritarian symbolic value, both sexual and social, that the uniform of a Mexican federal police officer carries onto his body while also making a comment on the fetishization of these "authority figures." Currently showing in #SIEMBRA 
#takeover by @salonsilicon Natalia Millán @chikidrama (CDMX, 1986) Flag of the Struggle of Women Workers in the Gift Industry, 2020 Flag made of celoceda ribbon bows. Natalia Millán's work is built from the conjunction of the epistemological legacy of survival and the everyday objects, that is to say, it is pop of the working class; aesthetic moments of effort and margins. For Natalia this sensitivity and knowledge -inherited in the family bussines- and the contemplation of the simplicity of the materials of the economy of the ornamental, things, apparently, with no other purpose than the decorative, frame all the sublime explosions and subtle encased in the simple manual labor of wrapping gifts, making bows, putting on gloves. Blackmail, desire, mystery, generosity flow into the economy of the gift, which is so much like the art world. Currently showing at #SIEMBRA in kurimanzutto for the show #SEXwork by @salonsilicon 
#takeover Siembra invites Salón Silicón @salonsilicon gallery to plant and harvest during the rest of 2020. Their proposal is based on the theme of SEX, divided into three different times and stages. This space will also include an upcoming activity program to share, think and live SEX. A show called SEX, just like the Vivianne Westwood and Malcolm McLaren store; just like the Madonna book from 1992. An obvious and ridiculous title, we know... but we were already talking about sex: about penetrability as a concept and about the importance of lube in practice, about the repressions shoved up our asses, about a DIY approach to our evolving identities, and about the technologies we use for and against our bodies... #SEXplay (PHOTO) 7 Sept - 23 Oct #SEXwork CURRENTLY SHOWING 
For #TITAN Minerva Cuevas fills the skeletal space of antiquated communication, the phone booths, with memes. Cuevas perceives memes as self-reflective of society and as an unfiltered cultural language that parallels graffiti and street art. Cuevas’s ongoing views on ecology are also reflective of internet trends that favor expressive animals. A pensive gorilla or grumpy cat transcend human identity politics making them widely relatable while overlaying both humor and criticism to everyday woes. #MinervaCuevas @micadust @breezucker @damianortegastudio 
Hoy Irmgard Emmelhainz* y Eduardo Abaroa* tendrán una conversación en vivo con Biquini Wax EPS a través del canal de facebook de kurimanzutto a las 6 pm, para cerrar su participación en "Siembra 9" con la pieza "Sa la na, a yuum, iasis. Laissez faire, laissez passer" (2019). *Miembros del Sistema Nacional de Creadores de Arte 2018 #Siembra #kurimanzutto #IrmgardEmmelhainz * @biquiniwax_tv @eduardo.abaroa * 
MOCA’s online platform for experimental film and video art hosts Damián Ortega’s video "Moby Dick" (2004) until November 29, 2020. On November 19th, MOCA will also screen Escarabajo, the second video in the trilogy, followed by a virtual Zoom discussion regarding Ortega’s “Beetle Trilogy” between the artist and Bryan Barcena at 4pm PST. Link in bio to RSVP and to watch "Moby Dick" #DamiánOrtega @moca @damianortegastudio @bryan.barcena 
The Bass Museum in Miami presents “Agua dulce”, a large-scale sculptural installation by Abraham Cruzvillegas on view from November 29, 2020. “Agua dulce” will form a plant environment in front of the museum, free for the public to enjoy. On the ocassion of this project Abraham Cruzvillegas will have an online lecture today 7 pm vía städelschule.de #AbrahamCruzvillegas #Staldelschule @autoconstruido @thebassmoa 
Read full review by Maximiliano Durón for ARTnews about #TITAN in New York on the link in bio. “In a time where people are locked in their houses or isolated in their own spaces, this idea of coming together in the streets to see a show that you can see in the middle of the night is a direct response to the pandemic” - Bree Zucker #CildoMeireles #RenéeGreen #RirkritTiravanija #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @freedomcannotbesimulated @galerialuisastrina @galerielelong @bortolamigallery @gladstone.gallery 
Leonor Antunes' exhibition "joints, voids and gaps" at MUDAM, Luxembourg is on view until April 5, 2021. Antunes interprets their forms, motifs and measures in materials and textures such as rope, wood, cork, leather and brass, and a sculptural vocabulary inspired by handcrafted and artisanal techniques. #LeonorAntunes @mudamlux @leonorleonorantunes 
“Haegue Yang: Strange Attractors" is on view until May 3rd, 2021. Yang’s exhibition creates an environment in which uncanny and seemingly disparate ideas, cultures, relations and time periods coexist. #HaegueYang #StrangeAttractors @yanghaegue @tatestives 
SEXwork es la segunda exposición de Salón Silicón para Siembra en kurimanzutto. "SEXwork, es el capitalismo, el poder, el cuerpo desechable, la lucha por derechos, las violencias sobre las cuerpas, el activismo desde la putería…" Con Karla Frías, Olalla Gómez Valdericeda, Felix Gonzalez-Torres, Havi, Sofía Hinojosa, Sarah Lucas, Natalia Millán, Mauricio Muñoz, Laos Salazar y Carmen Serranos. #kurimanzutto #Siembra #SalónSilicón @salonsilicon @__karlafrias @olallagomezvaldericeda @felixgonzaleztorres.foundation @laguapiss @so.f.h #SarahLucas @ser_a_ratossara @mauricioyael @laos__land @cejas_del_mal_ 
Yvonne Rainer and Renée Green visiting TITAN, 6th avenue, New York City. #RenéeGreen #YvonneRainer @bortolamigallery 
“Cycles in 11’ celebrates Atoui’s decade-long collaboration with Sharjah Art Foundation and the surrounding community. The exhibition centres around experimental and innovative musical forms, offering audiences opportunities to learn about and explore instrument-making, compositional structure and musical collaboration." On view until April 10, 2021 #Repost. . . #TarekAtoui @sharjahart @hooralq @vinzmartial 
Haegue Yang presents a three-part installation "Migratory DMZ Birds on Asymmetric Lens" for The Clark Institute's first outdoor exhibition of site-specific comissioned works. Bird species native to the Korean Demilitarized Zone travel to the unfamiliar setting of New England. Dispersed in the landscape, these three sculptures, in the artist’s words, “scatter the narrative,” encouraging visitors to discover each example in a different environmental context. On view through October 2021. Free admission. #HaegueYang #TheClarkInstitute @clarkart @yanghaegue 
“Knee and Elbow" by Nairy Baghramian is part of The Clark Institute's first outdoor exhibition of site-specific comissioned works. “The knee and elbow allow any kind of rest or contemplation? Speaking out this two words, this two carrying parts of the body, knee and elbow, so many works of art appeared in my mind: the idea of the piece for Clark but actually two heavy blocks of marble different shapes and by looking at it and working on the project I took all the weight so that you could even see through the sculptures into the landscape; so the landscape, the sculpture and the view became actually one” - Nairy Baghramian On view through October 2021. Free admission. #NairyBaghramian #TheClarkInstitute @nairybaghramian @clarkart @mariangoodmangallery ![Hans Haacke, Wir (alle) sind das Volk [We (all) are the people], 2003/2020 for TITAN, New York City.
W54th street and 6th Avenue, New York.
#HansHaacke @paulacoopergallery](https://scontent-ber1-1.cdninstagram.com/v/t51.29350-15/123817764_793296338126801_5693507987276134268_n.jpg?_nc_cat=102&ccb=2&_nc_sid=8ae9d6&_nc_ohc=1uqy6VtE7K0AX8jk6E2&_nc_ht=scontent-ber1-1.cdninstagram.com&oh=85ccd32f3045b091c6c48a538a094bcc&oe=5FE61630)
Hans Haacke, Wir (alle) sind das Volk [We (all) are the people], 2003/2020 for TITAN, New York City. W54th street and 6th Avenue, New York. #HansHaacke @paulacoopergallery 
Zoe Leonard, Crossing the Gateway International Bridge from Matamoros to Brownsville, 2020 for #TITAN, New York City. W52nd street & 6th avenue, New York. @zoe_leonard_studio @galeriecapitain @hauserwirth #zoeleonard 
Glenn Ligon’s “Aftermath”, 2020 for #TITAN, NYC. W56th street and 6th avenue, New York. #GlennLigon @glennligon @hauserwirth @regenprojects @thomasdanegallery @galeriechantalcrousel 
Glenn Ligon’s “Synecdoche (For Byron Kim)”, 2018 as seen in #TITAN, NYC. W 56th street and 6th avenue, New York. #VOTE #VOTENYC #GlennLigon @glennligon @hauserwirth @regenprojects @thomasdanegallery @galeriechantalcrousel @skybluekite 
As part of the activation of the #TITAN phone booths and Patti Smith's specific project, the poster IT'S IN OUR HANDS is plastered around different neighborhoods in New York City including the East Village, Soho, Williamsburg, Midtown, Nolita and others. November 1st and 2nd, 2020. #VOTE #VOTENYC #PattiSmith @ThisisPattiSmith 
Galería Agustina Ferreyra para Siembra 14 presenta a Ad Minoliti y Zadie Xa. Ambxs artistas produjeron nuevos cuerpos de trabajo basados en su mutuo interés por la forma en la que otras especies y cuerpxs no binarios, se organizan y funcionan. #Siembra #kurimanzutto @galeria_agustina_ferreyra @minoliti @zadiexa 
A partir del sábado 31 de octubre comienza la segunda exposición de Salón Silicón dentro de Siembra: SEXwork. Con Karla Frías, Olalla Gómez Valdericeda, Félix González Torres, Havi, Sofía Hinojosa, Sarah Lucas, Natalia Millán, Mauricio Muñoz, Laos Salazar y Carmen Serranos. #kurimanzutto #Siembra #SalónSilicón @salonsilicon @__karlafrias @olallagomezvaldericeda @felixgonzaleztorres.foundation @laguapiss @so.f.h #SarahLucas @ser_a_ratossara @mauricioyael @laos__land @cejas_del_mal_ 
All proceeds from TITAN merchandise will be donated to Food Bank For New York City for use in its hunger relief programs. TITAN Duckbag, Tube Socks, Rirkrit Tiravanija T-Shirts and FREE Patti Smith VOTE pins. You can buy at the link in bio or at: titan.kurimanzutto.com @foodbank4nyc #TITAN #Vote 
#TITAN takes over the streets, a message from Patti Smith on a street corner near you. Found in the East Village, Soho, Midtown, Williamsburg and more locations in New York City. It's in our hands Está en nuestras manos PEOPLE HAVE THE POWER #VOTE #VOTENYC #PattiSmith @ThisisPattiSmith 
"A River Waits Reply" es una selección de videos desarrollada por siete organizaciones artísticas de diferentes países. Cada pieza ha sido seleccionada por una institución en respuesta a la obra que la precedió. "Camaleón", 2017 por Miguel Calderón fue seleccionado por Museo Tamayo y ya está disponible en su página. Link en bio. Argos, Bruselas Gasworks, Londres Kadist, San Francisco & Paris MOCA Toronto Museo Tamayo, Ciudad de México Para Site, Hong Kong Pivô, São Paulo #MiguelCalderón @argos_arts @gasworkslondon @kadistkadist @mocatoronto @eneltamayo @parasite.hk @pivoartepesquisa 
"La dimensión deconstruida", puppet sex show por Romeo Gómez López (Ciudad de México, 1991) para SEXplay de Salón Silicón en "Siembra" ya está disponible en kurimanzutto.com Link en bio #kurimanzutto #Siembra #SalónSilicón @salonsilicon @romeogomezlopez @ormo11 @laos__land 
“Haegue Yang: Strange Attractors" opened yesterday at Tate St Ives, UK. "Strange Attractors" considers our universal human adventure within chaotic and unpredictable futures. On view until May 3rd, 2021 #HaegueYang #StrangeAttractors @yanghaegue @tatestives 
"The twelve TITAN kiosks that support and become the exhibition are bordered by and exist in the shadow of other much larger Titans: Radio City Music Hall, UBS, CIB, MoMA, and on nearby 57th Street, the ghost image of Peggy Guggenheim’s Art of This Century Gallery. In the time of a pandemic, these other titans now appear as ghostly echoes of our own individual isolation. Through them we recognize ourselves and the quandary our world is in." –Damián Ortega & Bree Zucker #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth #kurimanzutto 
“The #TITAN phone booths stand on corners, spaced across, diagonally or catty-corner, each spying on, or overlapping with the next, so that new experiences, chance encounters, and jostling with strangers are all possible. Chance and agency, in walking the city, are built-in components of the project. Encounters are open-ended and optional, dependent on each individual.” –Damián Ortega & Bree Zucker In this album: Hal Fischer, Anne Collier, Renée Green, Cildo Meireles, Hans Haacke and Zoe Leonard #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth #kurimanzutto 
"#TITAN is an intervention into New York City’s communication channels, specifically, within a series of phone booth kiosks. As a show, it is a way to enter a vein, a pre-existing path of fluid communication and distribution. It is also a way to define a new circuit, to delineate a new path, and to transform the pattern on the grid. While a traditional gallery space often marks a perimeter or sphere for contemplation, in this day and age, we believe in the necessity to open a space outdoors, for collaborative action. For our project, we saw an area of unused real estate and decided to define it in a new way. We are grateful to the twelve artists who accepted our invitation to engage with these spaces, in the streets of New York City." –Damián Ortega & Bree Zucker In this album: Jimmie Durham, Yvonne Rainer, Rirkrit Tiravanija, Patti Smith, Minerva Cuevas and Glenn Ligon #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith, #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth #kurimanzutto 
On Saturday we celebrated the start of #TITAN with the artists and many close friends at the Astro Restaurant on 6th Avenue. Running until January 3, 2021, this group exhibition occurs during the last season of the booths before their removal by New York City, and during the presidential election and post-election period. This project continues kurimanzutto’s ongoing dialogue with a broad audience in the public sphere. Since its inception in 1999, kurimanzutto has consistently promoted projects and exhibitions outside of a traditional white cube space to stimulate cultural dialogue. TITAN marks the first collaborative citywide project by kurimanzutto in New York. #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith, #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth @casadragones 
On the occasion of Various Others 2020, Walter Storms Galerie shows together with Esther Schipper works by Gabriel Kuri. The artist’s oeuvre involves various media, including sculpture, collage and installation, often using recycled natural, industrial and mass-produced elements to create eloquent and impressive works. Kuri’s works often contain traces of past human activity, such as empty bottles, cigarette butts or ticket stubs, which act as symbols of time, energy or means of payment used. Don't miss Kuri's exhibition, on view until October 31, 2020. @walterstormsgalerie @variousothersmunich @estherschipperberlin @gabrielkuri1970 
Last days to visit Monika Sosnowska's exhibition at Zachęta. "Small, precise models which serve as drafts for future works are an important part of Monika Sosnowska’s creative process. (...) Simple and gentle gestures of crushing or bending are subsequently repeated on a much greater scale in a complicated process of processing her monumental sculptures with the use of machines and technology. The artist – in cooperation with engineers, toolmakers, welders and other professionals – tries to precisely recreate the shapes designed as models." On view until October 25, 2020 #MonikaSosnowska @galeria_zacheta @hauserwirth @galeria_foksal @themoderninstitute @galeriecapitain 
#TITAN Thanks all the artists who made this project possible!!! All proceeds from the TITAN merchandise will be donated to the Food Bank For New York City @foodbank4nyc #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith, #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth 
The #TITAN project aims to open a space for experience, imagination, and dialogue during a decisive time of great potential change. It occupies advertising spaces, as an open inquiry on communication via the avenues of commerce, control and agency, in relationship to the corporeal history of the phone booth sites. Participating artists: 7. Hal Fischer 8. Anne Collier 9. Renée Green 10. Cildo Meireles 11. Hans Haacke 12. Zoe Leonard #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith, #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth 
The #TITAN project takes as its premise that a gallery may exist by an open space, open at any hour, and free for all viewers, even in the middle of the night. Its location is delineated by a looped walking route, short circuit, between West 51st and West 56th Street on 6th Avenue, in Midtown Manhattan. Participating artists: 1. Jimmie Durham 2. Yvonne Rainer 3. Rirkrit Tiravanija 4. Patti Smith 5. Minerva Cuevas 6. Glenn Ligon #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith, #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth 
Los hermanos Soler Frost, Pablo y Jaime conversarán sobre la nueva edición de "Sátira" de Salvador Novo por Alias Editorial. La transmisión será en vivo desde el canal de Facebook de kurimanzutto hoy jueves 15 de octubre a las 7 pm. #JaimeSolerFrost #PabloSolerFrost #SalvadorNovo @aliaseditorial @pablosolerfrost 
Mariana Castillo Deball’s exhibition "Between making and knowing something" for Modern Art Oxford is on view until January 3, 2021 "History is always viewed from the point of view of power, so how can you go down into the sources and find the history of people who have no voice?" - Mariana Castillo Deball Discover the virtual tour in the link in bio. #MarianaCastilloDeball @marianacastillodeball @mao_gallery 
Installing our project TITAN! TITAN is an outdoor exhibition on a series of phone booths located in New York City, a kurimanzutto project, conceived by Damián Ortega and Bree Zucker. During an exhibition period of twelve weeks, twelve voices will each take over the exterior panels of twelve specific phone kiosks. From October 12, 2020 – January 3, 2021, this group exhibition occurs during the last season of the booths before their removal by New York City, and during the presidential election and post-election period. Participating artists include: Anne Collier, Cildo Meireles, Glenn Ligon, Hal Fischer, Hans Haacke, Jimmie Durham, Minerva Cuevas, Patti Smith, Renée Green, Rirkrit Tiravanija, Yvonne Rainer and Zoe Leonard. All artists are represented in collaboration by their respective galleries, and to them we give our special thanks for their support and camaraderie: Anton Kern Gallery, Galeria Luisa Strina, Galerie Lelong & Co., Project Native Informant, Paula Cooper Gallery, Bortolami Gallery, Gladstone Gallery and Hauser & Wirth. #AnneCollier #CildoMeireles #GlennLigon #HalFischer #HansHaacke #JimmieDurham #MinervaCuevas #PattiSmith, #RenéeGreen #RirkritTiravanija #YvonneRainer #ZoeLeonard #DamiánOrtega @damianortegastudio @breezucker @cildomeirelesoficial @glennligon @hal.fischer @_highwindows_ @micadust @thisispattismith @freedomcannotbesimulated @antonkerngallery @galerialuisastrina @galerielelong @projectnativeinformant @paulacoopergallery @bortolamigallery @gladstone.gallery @hauserwirth 
Facebook Live: Biquini wax EPS en alianza con broken english –la única editorial punto lol– han preparado una publicación digital en la que ofrecen una mirada a los distintos procesos que acompañaron la producción de su pieza “Sa la na, a yuum, iasis/laissez faire-laissez passer”, exhibida en "Siembra" en kurimanzutto. Marisol Rodríguez, Abraham Cruzvillegas, Canek Zapata y Keiko platicarán sobre este acontecimiento editorial web a través de un live desde los canales de facebook de kurimanzutto y biquini wax este viernes 16 de octubre a las 2:30 pm. Investigación visual, ficción especulativa, maquila plástica y años de estudio grupal y exploración expositiva al interior de las casas que han alojado al colectivo han sido condensadas y codificadas en bits, pixeles y ¡más! para disfrute de niñas, niños y niñes de todas las edades. Puedes ver la publicación en el sitio: keiko.bw.brokenenglish.lol Link en bio @brkn_english @biquiniwax_tv @autoconstruido @canekzapatap @itsmaaareesol 
Leonor Antunes' exhibition "joints, voids and gaps" opened yesterday at MUDAM, Luxembourg, a new installation composed of a suspended structure made from steel and tied cords that doubles the hexagonal profile of the pavilion and serves to frame existing and new sculptures. On view until April 5, 2021. Repost . . . @leonorleonorantunes @mudamluxembourg #LeonorAntunes 
The eighth and final iteration of Sonora 128 presented the billboard work by Felix Gonzalez-Torres, “Untitled”, 1995. From January through February 2018, a black and white image of a bird soaring through space simultaneously appeared on six billboards located throughout the metropolitan area of Mexico City. Felix Gonzalez-Torres’s billboards are mutable works. Following the idea of movement, flux and change, they manifest themselves in multiples across the public landscape, always in at least six locations. This final project for Sonora 128 completed its dispersion across Mexico City. We extend our gratitude to Andrea Rosen and the Felix Gonzalez-Torres Foundation for their collaboration in this project. #Sonora128 #kurimanzutto #kurimanzuttoarchivo #2018 @felixgonzaleztorres.foundation @andrearosengallery @breezucker 
Visit kurimanzutto's Frieze Viewing Room from October 9th - 16th, 2020. Link in bio. #JimmieDurham #CarolRama #MinervaCuevas #GabrielOrozco #HaegueYang #MarianaCastilloDeball #RomanOndak #MiguelCalderón @friezeartfair @carol.rama @micadust @yanghaegue @marianacastillodeball @romanondak 
Adrián Villar Rojas for Phaidon is the first book to explore the fascinating career and fantasy-driven worlds created by the artist. Texts by Carolyn Christov-Bakargiev, Eungie Joo and Hans Ulrich Obrist. "With the material we gathered for you, I would like to extend the conversation about my work to the first decade of the twenty-first century; I hope you find the material interesting and meaningful and I hope it helps articulate my practice in a broader sense and not circumscribe it to a young emerging artist who made his breakthrough in the first years of the second decade of the twenty-first century as a builder of monumental cement and clay sculptures." - Adrián Villar Rojas #AdriánVillarRojas #ChristovBakargiev @phaidonsnaps @eungiej00 @hansulrichobrist 
kurimanzutto presents Apichatpong Weerasethakul at Daata Art fair, a new online art fair dedicated to showcasing contemporary video and digital art. On view from October 6th - 25th, 2020. Link in bio. #Daata #DaataFair #ApichatpongWeerasethakul @daata.art @kickthemachine 
For its seventh edition, Sonora 128 presented the Café La Habana Sessions, a series of works and performances by Patti Smith, organized throughout several locations in Mexico City. The title of the project is borrowed from Café La Habana, in Colonia Juárez, CDMX. A famed coffeehouse established in 1954, its Formica tabletops bore witness to writers and revolutionaries such as Roberto Bolaño, Octavio Paz, Fidel Castro and Che Guevara. Here, Smith created an exhibition of photographs in homage to Bolaño. Simultaneously, Patti Smith debuted a billboard for Sonora 128 in Colonia Condesa, Mexico City. Smith´s billboard took the format of an interactive work where viewers were able to call the Café La Habana hotline number, as advertised on the bottom of the billboard, to hear a series of poems, personally read by Smith, available at all hours. Finally, Smith presented a Café La Habana Session in the form of a poetry reading and public performance with her longtime collaborator Lenny Kaye at the Casa del Lago in Chapultepec Park on Saturday, September 2nd, 2017. #Sonora128 #kurimanzutto #kurimanzuttoarchivo #2018 #PattiSmith #LennyKaye @thisispattismith @lenny_kaye @casadellago.unam @jvilloro @breezucker 
Don’t miss the special focus on Iñaki Bonillas Marginalia series in the group show "Companion Pieces: New Photography 2020" on MoMA.org, from October 5th - 11th, 2020. Realizing this exhibition digitally, MoMA allows us to experience physical artworks as digital scrolls of images. #IñakiBonillas @i.bonillas @themuseumofmodernart 
Commissioned for Sonora 128, “Paro general” (2017) by Minerva Cuevas presented a message of resistance open to interpretation. “Paro general” referred specifically to Mexico, and marched in solidarity alongside the Labor Day movement on May 1st 2017 in Mexico City. _ The sixth edition of Sonora 128 by Etel Adnan entitled “The New Sun of the Aztecs” nodded towards Mexico’s ancient founding myth of the Five Suns–a complex story of relationships and hierarchies. Following her project for Sonora 128, a selection of her drawings were exhibited inside the library at UNAM, whose façade hosts one of the murals that most inspired Adnan during her visit to Mexico City in 1957. This façade is a historic mosaic by Juan O’Gorman. This exhibition project “Album à dessins” was in special collaboration with Sfeir–Semler Gallery, and presented in the Biblioteca Central of the Universidad Nacional Autónoma de México. #Sonora128 #kurimanzutto #kurimanzuttoarchivo #2017 #MinervaCuevas #EtelAdnan @micadust @SfeirSemlerGallery @breezucker 
2 de octubre no se olvida Daniel Guzmán, Lost & Found (drawings) 33, 2004-2006 #2deoctubre #DanielGuzmán @oaxaki 
Visit kurimanzutto's Frieze Viewing Room from October 9th - 16th, 2020. #JimmieDurham #CarolRama #MinervaCuevas #GabrielOrozco #HaegueYang #MarianaCastilloDeball #RomanOndak #MiguelCalderón @friezeartfair @carol.rama @micadust @yanghaegue @marianacastillodeball @romanondak 
In 2016, Nobuyoshi Araki (Tokyo, 1940) presented two simultaneous projects within Mexico City: a solo presentation coordinated with Abraham Cruzvillegas in Cantina Ardalio– a traditional locals-only bar in the Escandón neighborhood of Mexico City, and the third edition of Sonora 128 where Araki debuted a work centered on the theme of paradise. This image formed part of the series “qARADISE”, depicting fantastical, eros and thanatos scenes of tropical vegetation, inhabited by Araki's personal universe of dolls, monsters and toys. _ For the fourth iteration of Sonora 128, Daido Moriyama (Osaka, 1938), presented "Lips" (2004), an iconic image that personifies Moriyama's fascination with the raw, sensuous and erotic, especially as these ideas project on the urban landscape through memory. “Lips” exemplifies the delirious exhilaration that pervades his work, with its burning fantasies and embattled dreams. #Sonora128 #kurimanzutto #NobuyoshiAraki #DaidoMoriyama #kurimanzuttoarchivo #2016 @takaishiigallery @autoconstruido @breezucker 
In 2009 Philip Guston was part of Daniel Guzmán's group exhibition "My Generation" at kurimanzutto, a drawing show with a selection of pieces and authors, whose work and ideas inspired and influenced Guzmán's development and practice as draughtsman. Philip Guston, declared in the convulse 1968: "when the middle 1960s came along I was feeling very schizophrenic. The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home reading magazines, going into frustrated fury about everything and then going into my studio to adjust a red to a blue?". Participating artists: Gilberto Aceves Navarro (1931), Otto Dix (1891-1969), Philip Guston, (1913-1980), Daniel Guzmán (1964), Paul McCarthy (1945), José Clemente Orozco (1883-1949), Julio Ruelas (1870-1907), José Luis Sánchez Rull (1964), Roberto Turnbull (1959), Germán Venegas (1959), Mariano Villalobos (1953), Vlady (1920-2005) #kurimanzuttoarchivo #DanielGuzmán #PhilipGuston #GilbertoAcevesNavarro #OttoDix #PaulMcCarthy #JoséClementeOrozco #JulioRuelas #JoséLuisSánchezRull #RobertoTurnbull #GermánVenegas #MarianoVillalobos #Vlady @oaxaki @gilbertoacevesnavarro @germanvvenegas @hauserwirth 
Mariana Castillo Deball’s exhibition "Between making and knowing something" for Modern Art Oxford focuses on sharing the stories of a number of little-known female anthropologists and indigenous storytellers and makers. To do this, the artist recreates historical artefacts and reconfigures display cases to expose how museum collections both conceal and reveal historical narratives and shape our understanding of the world. From October 2, 2020 #MarianaCastilloDeball @marianacastillodeball @mao_gallery 
Sonora 128 was a billboard exhibition space organized by kurimanzutto and programmed by Bree Zucker. Over the course of two years, from March 2016 to 2018, kurimanzutto invited eight artists to exhibit a site-specific, large- scale work for a period of three months each. Located above the corner of Avenida Sonora and Nuevo León in Mexico City, Sonora 128 was open 24/7, 365 days a year. #kurimanzuttoarchivo #2016 Wolfgang Tillmans (Germany, 1968) inaugurated Sonora 128 on March 1st, 2016 with "¿dónde estamos?" (2016). This billboard work featured a levitating agave cactus, its leaves branching outwards, spinning in space above the backdrop of Chapultepec Park, alongside the prescient question "¿dónde estamos?", or "where are we?" The billboard posed its reflexive question to the public in 2016, the same year as the Brexit referendum, and US presidential election. _ For the second edition of Sonora 128, artist Antonio Caro (Bogotá, 1950) presented Achiote (2001) a piece that began when the artist received a large sheet of Mexican amate paper (an indigenous variety of bark paper) in 1990. The phrase “Indians painted themselves with achiote,” a dictum learnt in school as a child in Colombia, inspired the artist to draw on the blank amate paper with achiote, the orange-red pigment of a plant native to the American tropic. Through his action painting with achiote, Caro simultaneously recovers a traditional indigenous means of expression against the discourse of advertising. #Sonora128 #kurimanzutto #WolfgangTillmans #AntonioCaro @wolfgang_tillmans @breezucker 
Allora & Calzadilla created "Specters of Noon", a major exhibition of seven sculptural works, specifically for the Menil’s main building which uses sounds, cast shadows, and novel sculptural materials to evoke an awe-inducing atmosphere of bewilderment and beauty. The pieces on view are inspired by the artists’ four-year immersion in the Menil’s holdings of Surrealism. They explored the historic role that Surrealism played in the Caribbean in the years surrounding World War II, including its pivotal role in anti-colonialism, and the movement’s fascination with the importance of noon. On view from September 26, 2020 Installation view with visitors of Allora & Calzadilla’s Penumbra, 2020. Digital projection with sound, dimensions variable. Courtesy of Gladstone Gallery, New York and Brussels; and Entelechy, 2020. Coal, vocalists. . Courtesy of Galerie Chantal Crousel, Paris, and Lisson Gallery, New York and London. ©️ Allora & Calzadilla. Photo: Paul Heste #AlloraCalzadilla #Allora #Calzadilla @menilcollection @galeriechantalcrousel @lisson_gallery @gladstone.gallery 
Leonor Antunes has been commissioned by The Box, Plymouth to create a new east window design, alongside a series of new sculptural works. Antunes' varied elements not only play with movement, shade, texture and division in space, but deliberately blur the line between where the building’s architecture ends and her art starts. From September 29, 2020 #LeonorAntunes @theboxplymouth @leonorleonorantunes @nicolettalambertucci 
Apichatpong Weerasethakul takes part in the "Third Realm", a group show of contemporary art from across East and Southeast Asia, at the Polygon Gallery, Vancouver. "Third Realm" showcases a crucial period of artistic production from 2004 to 2019 through photography, video, drawing, and installation. Working with various materials and technologies, the artists reflect on the impact of rapid urban development and globalisation on tradition and cultural identity. On view until November 8, 2020 #ApichatpongWeerasethakul @kickthemachine @pollygongallery @davide_quadrio 
Gabriel Kuri installing "chinese whispers", a collection of airline blankets with adhesive fruit labels, in the group show "gerlach en koop was machen Sie um zwei? Ich sclafe" at GAK Bremen. On view until December 20, 2020 #GabrielKuri @gabrielkuri1970 @gak_bremen 
Launching on MoMA.org today September 21, 2020, the group show "Companion Pieces: New Photography 2020" presents Iñaki Bonillas' Marginalia series. "Companion Pieces" traces correspondence between images — from pendant pictures that together convey a shared message; to visual echoes reverberating through montage; to photographic series that, woven together, deliver more complex accounts of the world. Link in bio #IñakiBonillas @i.bonillas @themuseumofmodernart 
Alexandra Bachzetsis will present her performance “Chasing a Ghost” at: Bundeskunsthalle, Bonn on September 22 MUDAM, Luxembourg on September 25 #AlexandraBachzetsis #ChasingAGhost @alexandrabachzetsis @Bundeskunsthalle @mudamlux 
Wilfredo Prieto's "Beso" consists of two stones, united together side by side, simulating a kiss. The presence of this artwork in the CityLife Milano park which hosts houses, offices and shopping centers, offers a link to the history of art and gardening. His piece is part of the group exhibition of public sculpture ArtLine Milano and can be seen at the Piazza Giulio Cesare. #WilfredoPrieto @estudiowilfredoprieto @artlinemilano 
Alias editorial was conceived by Damián Ortega as a platform for the circulation of artists texts, interviews or conferences that are not easily availble for spanish readers. Damián Ortega understands this project as a vehicle to generate and share knowledge based on individual needs and interests. For Alias, the book is a kind of public sculpture that spreads virally, occupying collective and private spaces in an organic and mutant way: the sculpture book. Alias publishes texts that are considered valuable references to contemporary art. Creations that have not been translated and disseminated in Spanish; or, whose previous editions are discontinued or have never been distributed in Mexico. #DamiánOrtega #Alias #Aliaseditorial @aliaseditorial @damianortegastudio #kurimanzuttolibros 
At Callie’s, a new art space in Berlin, LABINAC presents a collection of recently-made lighting designed by Maria Thereza Alves, Jimmie Durham, Philip Modersohn and Elisa Strinna. LABINAC, the design collective founded in Berlin by Maria Thereza Alves and Jimmie Durham together with Kai-Morten Vollmer will celebrate the serendipity of light coming from cracks and fissures with an exhibit of new lamps and chandeliers “Broken – light shines through”. On view until December 20, 2020 #MariaTherezaAlves #JimmieDurham #KaiMortenVollmer #PhilipModersohn #ElisaStrinna @labinac_berlin @calliesberlin @elisastrinna 
“Tarek Atoui: Cycles in 11” at Sharjah Art Foundation centres around experimental and innovative musical forms and offers audiences opportunities to learn about and explore instrument-making, compositional structure and musical collaboration. This project, originating in Sharjah, investigated how deafness can influence the way sound performance, space and instrumentation are understood. Musicians, composers and artists will be invited to develop new work for the residency, either individually or with different audiences in Sharjah. Opening on September 19, 2020 #TarekAtoui @shaarjahartfoundation @hooralq @vinzmartial 
Miguel Calderón takes part in "El Castillo de las junglas imposibles" at the Château de Serrigny, France. For this show Calderón conceived the installation "Grapes, Wine and Cheese (Contradictory Still Life; 2020)". Mixing real local grapes, subject to natural decay and the passing of time, with fake ones imported from China, the artist offers a poignant reflection on on how the current situation created by the covid-19 pandemic might impact the long-standing economic tradition of Burgundy, in particular the local production of its world-class Pinot Noir and Chardonnay. #MiguelCalderón #ChâteaudeSerrigny #elcastillodelasjunglasimposibles @art.chateau @valentinalocatelliduckett @betsabee_romero @hansherzogart 
MORGEN IST DIE FRAGE – Tomorrow is the question – by Rirkrit Tiravanija welcomes visitors at the famous Berlin techno club Berghain that has been repurposed as an exhibition space during the pandemic and "like in the old days, taking pictures inside Berghain is prohibited.“ Photo by Noshe #RirkritTiravanija #TomorrowIsTheQuestion @berghain_ostgut @freedomcannotbesimulated 
#Repost @salonsilicon ・・・ Alan Balthazar @alanbalthazar_ fue la diva más fearless de la escena nocturna queer en la ciudad de México hasta su fallecimiento en 2017. A tres años de su partida no olvidames su esencia, su creatividad y trabajo en los diferentes ámbitos que habitaba, entre ellos el e la fotografía. En SEXplay queremes recordarla con la fuerza que la caracterizaba, exhibiendo una de las tantas fotografías que creo, larga vida a Grace!! #kurimanzutto #siembra #sexplay 
#kurimanzuttoarchivo "Elephant Juice (Sexo entre amigos)" (2003) was a group show conceived by Damián Ortega to last only one day at the restaurant "Los Manantiales" in Xochimilco, Mexico City. Eighteen artists participated with works ranging from drawing, photography, performance, installation and sculpture. In collaboration with the architect Mauricio Rocha, Ortega designed and built a circular labyrinth made of rented scaffolding where the works were shown. #DamiánOrtega #ElephantJuice #AbrahamCruzvillegas #DanielGuzmán #DrLakra #EduardoAbaroa #GabrielKuri #GabrielOrozco #MinervaCuevas #MonikaSosnowska #RirkritTiravanija #SofíaTáboas #AnselmReyle #EnriqueMetinides #JavierRodríguez #JonathanHernández #LawrenceWeiner #LuisaLambri #LuisFelipeOrtega #MarineHugonnier #MauricioRocha @damianortegastudio @autoconstruido @oaxaki @doktorlakra @eduardo.abaroa @gabrielkuri1970 @micadust @freedomcannotbesimulated @sofiataboas @luis_felipe_ortega_studio @maurocha 
“Handles" exhibition by Haegue Yang at the Museum of Modern Art reopened to the public and will be on view until November 15, 2020. #HaegueYang #Handles @yanghaegue @themuseumofmodernart 
Pablo Soler Frost, Biquini Wax EPS, Carlos Amorales, Salón Silicón, Sofía Táboas, Miguel Calderón y Galería Agustina Ferreyra presentan nuevas Siembras en kurimanzutto. Horarios: martes a jueves 11 am – 5 pm viernes y sábado 11 am – 4 pm #kurimanzutto #Siembra #PabloSolerFrost #BiquiniWaxEPS #SofíaTáboas #CarlosAmorales #MiguelCalderón #SalónSilicón #GaleríaAgustinaFerreyra @pablosolerfrost @biquiniwax_tv @sofiataboas @estudioamorales @salonsilicon @galeria_agustina_ferreyra 
Repost from @these.times.forever ... Leonor Antunes (b. Lisbon, Portugal, 1972) @leonorleonorantunes; having spent a lot of time in my studio in Berlin, these days with Olga my daughter who is 9 years old, we were thinking on how to create a celebration without the actual event... from the Carnival in Brazil to "Tears" a photograph by Man Ray, where he uses glass pearls to symbolize the tears on the model's face. Olga is wearing her peacock eyelashes and her favorite stickers... Leonor Antunes (n. Lisboa, Portugal, 1972); Nestes últimos meses, tenho passado mais tempo no meu atelier em Berlim, com a minha filha Olga que tem 9 anos. Começamos a pensar em como celebrar um evento sem o evento... do Carnaval Brasileiro, à fotografia de Man Ray, "Tears" (Lágrimas) cuja modelo usa pérolas de vidro na cara para simbolizar lágrimas... Olga decidiu então usar as suas pestanas de Pavão, e um dos seus autocolantes favoritos… Recent exhibitions include ‘vides, intervales et joints’ at @mudamlux curated by @suzanne_mcotter and a solo exhibition at @theboxplymouth curated by @nicolettalambertucci. 1. “Untitled,” Postage stamp, 2020 2. “Untitled,” Postage stamp, 2020 3. “a seam, a surface, a hinge or a knot,” Official Portuguese Representation at the 58th International Art Exhibition - La Biennale di Venezia, 2019. 4. “Resonating Spaces,” at @/fondationbeyeler, 2019-2020 5. Portrait, photo credit: #NickAsh, 2019 6. “These Times,” Postage stamp, 2020 THESE TIMES is a digital and printed stamp project of 50 artists 50 institutions curated by @sandraantelosuarez, a project of @trans_arts.cultures.media. Each gesture is an artwork made by artists as an immediate response to these times and a tribute to New York City, Ibero-America, Spain and Portugal. Our culture has been whipped with the plague, for which we honor every single being lost, the vulnerable and those facing difficulties in their daily lives. It was made possible through love, grief and solidarity. OUR CIVIC DUTY TO VOTE IS ONE OF THE POWERS WE HOLD TO END INEQUALITIES AND INJUSTICES IN THE WORLD #LeonorAntunes #TheseTimes #MASP #fondationbeyeler #TRANS #Vote #SandraAnteloSuarez 
Mean girls at Siembra 🐳💎 #kurimanzutto #Siembra #MeanGirls @salonsilicon @romeogomezlopez @ormo11 @laos__land @biquiniwax_tv @lirio_cobra 
XDB debut album cover by Nairy Baghramian #NairyBaghramian @kostaathanassiadis 
Durante los primeros dos meses de la pandemia, Miguel Calderón buscó refugio en la costa de Guerrero. En medio de la incertidumbre y preocupación, creó dos cuerpos de obra que presentará en dos etapas dentro de Siembra. La primera es una serie de fotografías de la silueta negra y distorsionada de una perra playera que seguía al artista en sus caminatas. Visita la primera parte de "Buenavista, Guerrero, abril 2020" en kurimanzutto a partir del 7 de septiembre. #Siembra #kurimanzutto #MiguelCalderón 
La Galería Agustina Ferreyra se une a Siembra en kurimanzutto con una exposición de la escultora mexicana Geles Cabrera (CDMX, 1926) y el artista cubano Dalton Gata (Santiago de Cuba, 1977). Visita la exposición a partir del 7 de septiembre, 2020. #savethedate #kurimanzutto #Siembra #GaleríaAgustinaFerreyra #GelesCabrera #DaltonGata @galeria_agustina_ferreyra @daltongata @gelescabrera 
Carlos Amorales instalando "Orgía de Narciso" para Siembra, una nueva serie de dibujos a partir de un archivo de figuras que va reconfigurando a través de la repetición. #workinprogress #kurimanzutto #Siembra #CarlosAmorales @estudioamorales 
Repost from @these.times.forever MINERVA CUEVAS Minerva Cuevas (b. Mexico City, Mexico, 1975) @micadust; June Almeida was the first to identify the human coronavirus in 1964. "Feisty and lacking formal education, she was largely forgotten –until Covid-19 came along. But the daughter of a Glasgow bus driver is still playing a major role in the fight against coronavirus, nearly 13 years after her death. June Almeida, the virologist who discovered the first human coronavirus, has been hailed as "one of the greatest scientists of her generation". Minerva Cuevas (n. Ciudad de México, México, 1975); June Almeida fue la primera científica en identificar el coronavirus humano en 1964. “Energética y sin educación formal, fue olvidada hasta que llegó el COVID-19. Pero ella, la hija de un chofer de autobuses de Glasgow todavía juega un rol primordial en la lucha contra el coronavirus: a casi 13 años de su muerte es aclamada como "una de las más grandes científicas de su generación". Recent exhibitions include ‘No Room To Play’ at @daad_artists and ‘Disidencia’ at @mishkingallery curated by #GabrielBogossian #SolangeFarkas and #AlainaClaireFeldman. Upcoming exhibitions include ‘Witch Hunt’ at @hammer_museum curated by @cornelia.butler and @anneellegood. 1. “Untitled” Postage stamp, 2020 2. “Untitled” Postage stamp, 2020 3. “Kissme” Oil on canvas, 2015 4. “Formula” Acrylic on wall and 3 halogen lamps, 2007 5. Portrait, courtesy of the artist 6. “These Times,” Postage stamp, 2020 THESE TIMES is a digital and printed stamp project of 50 artists I 50 institutions curated by @sandraantelosuarez, a project of @trans_arts.cultures.media. Each gesture is an artwork made by artists as an immediate response to these times and a tribute to New York City, Ibero-America, Spain and Portugal. Our culture has been whipped with the plague, for which we honor every single being lost, the vulnerable and those facing difficulties in their daily lives. It was made possible through love, grief and solidarity. IBERO- AMERICA, ESPAñA & PORTUGAL OUR CIVIC DUTY TO VOTE IS ONE OF THE POWERS WE HOLD TO END INEQUALITIES AND INJUSTICES IN THE WORLD #MinervaCuevas #TheseTimes #Kurimazutto #ThesetimesS 
Repost from @these.times.forever Anri Sala (b. Tirana, Albania, 1974) #AnriSala; By tying the insignia of revolution to a palindromic thought – the chicken and egg causality dilemma – the stamp aims at the uncertainties and the misgivings of these times. Anri Sala (n. Tirana, Albania, 1974) #AnriSala; Al enlazar la insignia de la revolución al pensamiento palíndromo - la casualidad del dilema del huevo y el pollo-- este sello postal apunta a las incertidumbres y recelos de estos tiempos. Recent exhibitions include ‘AS YOU GO’ at @fundacionbotin and ‘AS YOU GO’ at @castellodirivoli 1. “Untitled,” Postage stamp, 2020 2. “Untitled,” Postage stamp, 2020 3. The Last Resort, 2017 4. Artist Portrait 5. “These Times,” Postage stamp, 2020 THESE TIMES is a digital and printed stamp project of 50 artists 50 institutions curated by @sandraantelosuarez, a project of @trans_arts.cultures.media. Each gesture is an artwork made by artists as an immediate response to these times and a tribute to New York City, Ibero-America, Spain and Portugal. Our culture has been whipped with the plague, for which we honor every single being lost, the vulnerable and those facing difficulties in their daily lives. It was made possible through love, grief and solidarity. United more than ever, much love & hugs, IBERO- AMERICA, ESPAñA & PORTUGAL OUR CIVIC DUTY TO VOTE IS ONE OF THE POWERS WE HOLD TO END INEQUALITIES AND INJUSTICES IN THE WORLD #AnriSala #TheseTimes #CentroBotin #lovestamps #postagestampbyartists #ThesetimesStamps #TheseTimesForever #TheseTimesForever #VOTE #TRANS> #SandraAnteloSuarez #Frieze #VotingIsDemocracy #SaveTheUSPS #TogetherMoreThanEver #SiempreUnidos #carolynchristovbakargiev #benjaminweil 
Pablo Soler Frost autor de la intervención sobre la fachada de la galería "Mayate", también intervendrá uno de los cuartos de Siembra. Soler Frost es escritor, ha publicado más de veinte libros de ficción y de ensayo. Ha escrito también sobre arte contemporáneo y colaborado con otros artistas en varios proyectos, como la video instalación de Vargas Lugo que representó a México en la pasada Bienal de Venecia o el libro de Gabriel Orozco, "Dés", publicado por Marian Goodman. #kurimanzutto #Siembra #PabloSolerFrost @pablosolerfrost 
Salón Silicón abrió en diciembre de 2017 en un espacio de 18 metros cuadrados de la colonia Escandón que solía ser un salón de belleza. La llevan tres amigues que toman su arte con una pizca de humor: Romeo Gómez López, Olga Rodríguez y Laos Salazar. La galería busca ser un punto de encuentro para diferentes expresiones, lenguajes y personas. Para Siembra en kurimanzutto, Salón Silicón propone SEX en 3 diferentes tiempos y ejes: SEXplay, SEXwork y SEXtrauma, incluyendo una programación de actividades para compartir, pensar y vivir SEX. #kurimanzutto #Siembra #SalónSilicón #NobuyoshiAraki #JohnBirtle #EdgarGarciaRuiz #KarlaFrias #Havi #AlanBalthazar #SarahLucas #NataliaMillan #MauricioMuñoz #CarolinaVillanueva @salonsilicon @romeogomezlopez @ormo11 @laosland @sandrablowphoto @miguel.camacho.3760430 @micadust @olallagomez__ @felixgonzalestorres.foundation @so.f.h @lugarinhol @carlalamoyi @pinarmarul @raisamaudit @robertsandrew @pjrountree @cejas_del_mal_ @manuelsolanolozano @issatr @kickthemachine @akramzaatari 
Salón Silicón en montaje para SEX en Siembra 🔥🔥 #workinprogress #kurimanzutto #Siembra #SalónSilicón @salonsilicon @romeogomezlopez @ormo11 @laos__land 
Obras de Anri Sala, Abraham Cruzvillegas, Allora & Calzadilla, Carlos Amorales, Damián Ortega, Danh Vo, Gabriel Kuri, Gabriel Orozco, Rirkrit Tiravanija y Sarah Lucas forman parte de la exposición “Al filo de la navaja” de la Colección Jumex. En vista hasta febrero 13, 2021 #AnriSala #AbrahamCruzvillegas #AlloraCalzadilla #CarlosAmorales #DamiánOrtega #DanhVo #GabrielKuri #GabrielOrozco #RirkritTiravanija #SarahLucas @museojumex @autoconstruido @estudioamorales @damianortegastudio @gabrielkuri1970 @freedomcannotbesimulated 
Sofía Táboas presenta “Liminar”, una serie de pinturas, dentro de Siembra en kurimanzutto. “Sofía Táboas conoce íntimamente los materiales, su mutabilidad, su transformación y la manera en la que pueden modificar y ser modificados por el espacio. En su obra los materiales trabajan un doble turno, como proceso y como objetivo.” - Carolina Magis Weinberg #workinprogress #inthestudio #kurimanzutto #Siembra #SofíaTáboas @sofiataboas @caromagis 
Biquini Wax EPS no es un colectivo, no es una cooperativa, no es una galería, no es un espacio de arte, no es independiente, no es negocio, no es una casa, no es un museo, no es una estética, no es un cuarto de depilaciones, no es un casino solidario, no es una tumba tumbada, no es un quirófano, no es un yacimiento de café soluble, no es un picadero Pokemón, no es chilango, no es TV ni accionista de Netflix. (...) Pero bien podría ser cualsea de las opciones anteriores, centrifugada dentro de una licuadora que opera gracias a la energía térmica de un enjambre de tortugas pedaleando sin parar. Miembros: Daniel Aguilar Ruvalcaba, Neil Mauricio Andrade, Paloma Contreras Lomas, Gerardo Contreras Vásquez, Gustavo Cruz, Natalia de la Rosa, Cristóbal Gracia, Roselin Rodríguez, Israel Urmeer. Colaboradores: Irak Morales, Bernardo Nuñez. Biquini Wax EPS ocupará uno de los siete cuartos que conforman Siembra con "Sa la na, a yuum, iasis /Laissez faire, laissez passer", previamente presentado en el Palais de Tokyo en París. #kurimanzutto #Siembra #workinprogress #BiquiniWaxEPS @biquiniwax_tv 
Trabajo en proceso 🐳🍿🍭 #kurimanzutto #Siembra #BiquiniWaxEPS @biquiniwax_tv #workinprogress 
Repost from @these.times.forever Mariana Castillo Deball (b. Mexico City, Mexico, 1975) @marianacastillodeball; The first jigsaw puzzle was made from a map. This shows only a part of the wide production, dissemination, and use of maps by society. Mapping in the 16th century was a common, even a casually acquired skill. Each man made at least a single map in a lifetime. It seems to have been an accepted way to pay one’s respect to one’s home while contributing to the knowledge of it. Mariana Castillo Deball (n. Ciudad de México, México, 1975); El primer rompecabezas fue realizado a partir de un mapa. Esto muestra sólo una parte de la amplia producción, diseminación y uso de los mapas por la sociedad. En el siglo XVI, cartografiar era una habilidad común y se adquiría casualmente. Cada hombre realizaba al menos un mapa en su vida. Parece que fue una manera aceptada de homenajear el hogar de cada uno, al mismo tiempo que se contribuía al conocimiento del mismo. Recent exhibitions include ‘Replaying Life's Tape’ at @mumamonash and @ace_open and ‘Finding Oneself Outside’ at @newmuseum. Upcoming exhibitions include ‘Between making and knowing something’ at @/mao_gallery. 1. “Untitled” Postage stamp, 2020 2. “Untitled” Postage stamp, 2020 3. “The Mapping Impulse” 2007 4. “Yellow Clouds” Scagliola, 2020 5. Portrait, courtesy of the artist 6. “These Times,” Postage stamp, 2020 #MarianaCastilloDeball #TheseTimes #MuseoAmparo #lovestamps #postagestampbyartists #ThesetimesStamps #TheseTimesForever #VOTE #TRANS> #SandraAnteloSuarez #Frieze #VotingIsDemocracy #SaveTheUSPS #TogetherMoreThanEver #SiempreUnidos 
Anri Sala takes part in the group show “2020+” at The Red Brick Art Museum, Beijing featuring his film "If and only if". "In 2020, we have confronted with the most difficult pandemic in one hundred years, and sudden public crisis and social upheavals have blanketed the globe. (...) Through the unique ideas and actions of fifteen artists '2020+' attempts to open a multi-dimensional space for understanding." On view until October 18, 2020 Photo: Centro Botin, 2019 #AnriSala @redbrickartmuseum @centrobotin 
Escucha una selección de "Canciones dulces para tus orificios" por Biquini Wax EPS en Spotify. #Spotify @biquiniwax_tv 
Repost from @these.times.forever With his sense of wit and humor, Damián Ortega (b. Mexico City, 1967) @damianortegastudio deconstructs familiar objects and processes, altering their functions and transforming them into novel experiences and scenarios. Ortega’s work plays with a scale that ranges from the molecular to the cosmic: for him, the work of art is always an action, an event. His experiments inhabit a space where possibility and the everyday converge, to activate a transcendent new way of looking at simple objects and routine interactions. A través del ingenio y el humor, Damián Ortega (n. Ciudad de México, 1967) deconstruye objetos y procesos conocidos al alterar sus funciones y transformarlos en experiencias novedosas y situaciones hipotéticas. Ortega se mueve en una escala que va de lo molecular a lo cósmico. Para él la obra de arte es siempre una acción: un evento. Sus experimentos existen en un espacio donde lo posible y lo cotidiano convergen para activar una nueva y trascendente forma de mirar a los objetos ordinarios y las interacciones rutinarias. Recent solo exhibitions include ‘Porous Structures’ at @gladstone.gallery, ‘Estridentópolis at @adrianrosenfeldgallery in collaboration with kurimanzutto and ‘The Modern Garden’ at @garagemca. 1. “Untitled,” Postage stamp, 2020 2. “Untitled,” Postage stamp, 2020 3. Quotation by the artist 4. “Tortillas Construction module,” 52 corn tortillas, 1998 5. “Cosmic Thing,” Stainless steel, wire, Beatle 83’ and plexiglass, 2002 6. Portrait, credit unknown 7. “Warp Cloud,” Plaster balls covered in bees wax, cotton thread, stainless steel wire and 5oz. lead weights, 2018 8. “These Times,” Postage stamp, 2020 #DamianOrtega #TheseTimes #Kurimanzutto #lovestamps #postagestampbyartists #ThesetimesStamps #TheseTimesForever #VOTE #TRANS> #SandraAnteloSuarez #Frieze #VotingIsDemocracy #SaveTheUSPS #TogetherMoreThanEver #SiempreUnidos 
Visita "Siembra" a partir del 7 de septiembre con cita previa al correo: visit@kurimanzutto.com "Siembra" es una exposición que inició en febrero 2020 y se extiende hasta donde el estado del tiempo lo permita. El espacio de la galería se divide en siete para ser habitado o articulado por diferentes artistas, galerías y colectivos. Los nuevos artistas y galerías invitados a "Siembra" son: Pablo Soler Frost, Biquini Wax EPS, Sofía Táboas, Carlos Amorales, Miguel Calderón, Salón Silicón y Galería Agustina Ferreyra. Horarios: martes a jueves 11 am – 5 pm viernes y sábado 11 am – 4 pm Conoce las medidas y protocolos para garantizar la seguridad de visitantes y empleados en el link en bio. #savethedate #kurimanzutto #Siembra #PabloSolerFrost #BiquiniWaxEPS #SofíaTáboas #CarlosAmorales #MiguelCalderón #SalónSilicón #GaleríaAgustinaFerreyra @pablosolerfrost @biquiniwax_tv @sofiataboas @estudioamorales @salonsilicon @galeria_agustina_ferreyra 
Gabriel Kuri’s exhibition “spending static to save gas” reopened at Douglas Hyde Gallery, Dublin and will be on view until September 12, 2020. #GabrielKuri @gabrielkuri1970 @dhg_dublin 
“Forum for Drone Speech – Singapore Simulations” by Haegue Yang is inspired by the National Singapore Gallery’s architecture and its connections to Singapore’s colonial past and diasporic society. The installation explores ideas of hybridity and dual realities that are characteristic of our increasingly digital environments and virtual lifestyles. #HaegueYang #NationalGallerySingapore @nationalgallerysingapore @yanghaegue 
“The film speaks about the existence of other realities, the need to escape from boundaries—time, rules and beliefs, nationalism, and so on. In the end, when we realize about the possibilities, we also realize we are trapped. The only way out is maybe to use drugs or to sleep.” - Apichatpong Weerasethakul Read full interview with Apichatpong Weerasethakul in Rain Magazine in the link in bio. Photo from Mysterious Objects at Noon, 2000 #ApichatpongWeerasethakul @kickthemachine @rainmagazine_ 
Danh Vo’s solo exhibition at The National Museum of Art, Osaka is on view until October 11, 2020. Since last year Vo has been producing works related to key people in his life. He intentionally blurs authorship, presenting an abstract painting on mirrored foil by Peter Bonde, who advised Vo to stop studying painting; calligraphic works by his father, also a collaborator in recent years; and photographs by his partner Heinz Peter Knes of Vo's muse, his nephew Gustav. Yuka Uematsu curator. Photo: Kazu Fukunaga #DanhVo #TheNationalMuseumofArtOsaka #YukaUematsu @nmaojp