What the Thunder Said By @jaysenetchko Installation view 2017 72x96 inches Oil on canvas
@jaysenetchko standing in front of his piece 'I Remember that Yellow Chair' from his series Industry and the Sleepwatchers. Industry and the Sleepwatchers is a re-imagined narrative of the relationship between the artist's grandmother and grandfather. On a personal level, it began as a coping mechanism for Senetchko to deal with the loss of his paternal grandmother. To learn more about this and other works by Jay Senetchko, visit him at his website www.senetchko.ca
Popularity by @patrickhughesartist 2013, 66.5 x 152.5 x 19cm
Popularity by @patrickhughesartist 2013, 66.5 x 152.5 x 19cm
Popularity by @patrickhughesartist 2013, 66.5 x 152.5 x 19cm
Reasons by @benskinnerart, 2017 . On printed silk chiffon, vinyl, tinted acrylic mirror . #SeeYouInOctober
We hope everyone has an amazing Labour Day Weekend filled with good food, full drinks and happy company! No Future Plans by @benskinnerart Acrylic, drywall mud over foam
Pink Marbled Silk by @benskinnerart 2016, Hand marbled silk, enamel on wool stretched panel, 36x48
Eyes on the Street by @marie.khouri Vancouver, Canada, 2017
Doves by @marie.khouri 🕊 We love the look of these kids at they gaze at these beautiful sculptures floating above them!
Can you imagine sitting here? . Let's Sit and Talk by @marie.khouri Installation view, 2014 EPS with Polyurea Hard Coat
Still Life 04, Ed. 3/7, 2010 Fujiflex print 30 X 24 Direct Message for price . Pt.3 -- His photographs honor Nature while celebrating Technology, an important concern for him in an age when humans are struggling to find a balance with the planet that sustains them.
Still Life 07, Ed. 3/7, 2010 Fujiflex print 30 x 24 Direct Message for price . Pt.2 -- Employing techniques that resemble collage and painting by borrowing pixels of color from images found on the Internet using search engines, he entirely absents the camera from the artistic process.
Still Life 01, Ed. 3/7, 2009 Fujiflex print 30 X 24 Direct Message for price . Pt. 1 -- Christopher uses the computer and Photoshop as his sole mediums to create images that are the basis for three ongoing series of works -- Planets, Islands, and Still Lifes.
Too Hard on the Soul by @stevedriscoll and @finnohara . I am drawn to water; I think it’s slightly magical, the way it reflects, moves, and is never the same thing twice. Much of my work plays with water in its various forms: rain, snow, waterfalls, rivers, lakes. One of the reasons I like working with urethane is that it starts off in a fluid, aqueous state, allowing my colours to mix like water would. - Steve
'Finn O'Hara using his camp counsellor voice to get things straight'
Behind the scenes with @stevedriscoll and @finnohara - A giant sail...
Details from Trees on Knox Mountain by Gary Pearson . Loving the cooler weather today! ❄️
Trees on Knox Mountain by Gary Pearson, installed and in its entirety. . . Have you ever been to Knox Mountain?
A recent trip to the the Interior of BC has us reminiscing about this piece. Stay safe during this hot time of year everyone! . . Details from Trees on Knox Mountain by Gary Pearson
Stool in @andy.dxn Studio
Various Works by @andy.dxn
@andy.dxn In Studio
A Finn O'Hara photograph from his series Beyond the Outfield, @finnohara
A Finn O'Hara photograph, from his series The Arctic, @finnohara
A Finn O'Hara photograph from his series Olympia, @finnohara
Delivery, Vancouver, 2008, 14x11 Chromogenic Print, Edition of 15 @Lincoln.Clarkes
Circus Lion, Mexico, 1995, 14x11 Chromogenic Print, Edition of 15 @Lincoln.Clarkes
Feathered Friend Vancouver, 1997, 14x11 Chromogenic Print, Edition of 15 @Lincoln.Clarkes
Patrick Hughes Sea Views 2017 | 38.5 x 73.5 x 15 cm / 15⅛ x 29 x 5⅞ in
